Behind the scenes of My E-Book Inappropriate Colours

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Who are your favourite authors?

I am really hung up on my childhood authors. I adore Michael Ende, best known for ’Neverending Story’. Roald Dahl’s sense of humour is right up my street. And of course Astrid Lindgren, who invented so many wonderful stories. Pippi Longstockings was my all time favourite hero.

Do you remember the first story you ever wrote?

When I was ten years of age I changed from primary school over to a Steiner-School. I was a very dreamy child, not being interested in the lessons about autobahns and other boring subjects the teachers used to talk about. After I had changed over to the Steiner School in Nuremberg I was a much happier child. One day we had to write a little story about 4 characters climbing on a mountain, based on the four temperaments. It was so much fun to imagine what could go wrong, when these different personalities at play. The one being in a rage all the time, the one who made fun of everything, the one who seemed to carry the burden of the world on his shoulders. Not to forget the one, who couldn’t be asked to ever do anything of any sort. I believe my four characters never made it to the top of the mountain, being busy with arguing constantly. It was a comedic piece and I hugely enjoyed myself.

What are your favourite books and why?

I love ’Momo’ by Michael Ende. It’s an all time favourite of mine. I believe its main message is more relevant than ever, portraying the enchanting story of Momo and how people get more and more trapped into becoming efficient, trying to save time, while at the same time they totally ignore matters of the heart and soul. The ultimate threat are the grey gentlemen, talking people into saving their time and putting it away in their bank. In truth the grey men smoke the stolen time as rolled up cigars to survive. They are traitors and thieves. Momo is the only one, who is totally immune to their charms. She is a little girl, living on her own in a big deserted  amphitheatre. She has always time and her special gift is to listen to people in such a way, that they get great insights all on their own. I tell you, it’s a must read. In general I am intrigued with the concept of time and books playing around with the very subject. Like for example the time traveler’s wife, who never has any control in which time he awakens next in. I thought the idea was extremely clever to have the time traveler meet his wife at different times throughout her life. It certainly turns the notion that time is linear upside down and you start asking yourself, whether time is an illusion after all. One of the latest books I have recently read and have been very fascinated with is ’The Secret Life of Bees’. I love how the story takes place in a real time with real issues and at the same time is interwoven with an unfathomable mysticism. Of course I also couldn’t resist the Harry Potter books. It’s the kind of fantasy world I enjoy to dive into never wanting to emerge from again.

What do you read for pleasure?

I love reading a good novel for pleasure. One that takes me into another space, one which is so enthralling that I don’t want to put the book down. ’The Song of Achilles’ was such a book. I also enjoy reading psychology books, but I tend to read a bit and than put them away, whereas a good novel I can’t help but read in one go. That’s why I don’t read as many as I used to when I was much younger, because I am afraid I don’t get anything else done, but reading the book at hand.

Where did you grow up and how did this influence your writing?

I am originally german and I grew up in Frankonia, which is a part of Bavaria in a beautiful, quaint town called Bamberg. It has a castle, many old baroque houses and lots of nature around it. When I was little there was still a bear living in the castle called Poldi. They stopped having a bear on the premises at some point, because I think they just realised it was too cruel for the animal. Bamberg is a very romantic place. For a child, there is lots to explore, being surrounded by meadows, hills and woods. I am not sure how much Bamberg has influenced my writing but If it has, than it inspired my deep sense for everything magical, always on the hunt to discover a new secret or hidden treasure.

When did you first start writing?

I started with the exercises, I mentioned earlier, we had to do in the Steiner School as part of our lessons. Writing as such became more serious to me when I turned 18, finding out that my aunt had been a secret poet for a long time, always writing a poem on my christmas and birthday cards. I only found out, when she had written a very personal poem for my 18th. I was so mesmerised, that I started experimenting with poems too, asking myself whether I was capable of what my aunt so brilliantly could do. Later, when I started doing performances for openings at galleries I started writing my own scripts. I kept on writing bits and pieces until I created my first solo show called ’Circus of Emotions’, which of course included writing a whole script from scratch. It was a very exciting time for me. Though that’s been quite a while ago now.

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 What is your writing process?

Often I happen to  improvise something and afterwards write it down. Most of the stories found in ’Inappropriate Colours, 12 story-delights for the whacky mind‘ have been created this way. I improvised, than wrote it down in my moleskin book by hand and afterwards typed and reworked it in my computer. It also can happen, that I switch languages during my writing process. For example I note something down in German and than translate it into English or vice or versa. Of course I also write stuff directly into the computer, making things up on the spot. It still feels like a form of improvisation to me. I usually don’t have much of a plan except of a vague idea, wanting to invent a quirky character for example. Or I might have heard or seen something, that inspires me to write. A couple of months ago I passed dustbins on my walk and couldn’t help but to imagine what it must be like to have disgusting leftovers thrown into you. Also, if I particularly liked one of my performances, I’ll try to turn what was said on stage into a good piece of writing. I am sure you sussed me out by now. I mainly work from my instincts. They help me uncover my original ideas. But there is a downside to this way of writing, especially when it comes to longer more complex stories. The difficulty is to find the hidden innate structure of my first draft in order to be able to take it further. Since I didn’t have a particular agenda before I started writing, I put a lot of work into finding out what the story is actually about. I’ve had my desperate moments, I can tell you. I have gotten so stuck, that I needed my editor to prompt me with some invaluable questions.

Shorter pieces are more likely to come out in one go and I don’t have to do a lot to rework them. With the longer ones, it’s a different ball game altogether. You never can tell, really!

What’s the story behind your latest book?

In 2013 when I started inventing stories and noting them down in my Moleskin book, I had been going through a challenging time, being confronted with the worsening of my autoimmune condition  called ’Hashimoto’s’. I didn’t have a lot of energy, felt very down and helpless. I believed I first had to get better before I could be creative again. Of course it never works this way, does it! My rescue was a weekend course run at Falmouth University about solo improvisation. As a performer I have worked a lot with the tool of improvisation, but it had never been so important, that it became the main focus. Going on stage with nothing, making improvisation your one and only tool. When I came back home from the course, I started practicing on my own and performing in front of my flatmate. It made me feel alive again. Most of the stories you can read in my recent book are from this time and sprung from an improvisation, that I noted down afterwards. Sometimes I would eat blueberries for breakfast and my story would be influenced by that. This is how the ’Snoring Blueberry’ came about. Of course I have many more stories, than the ones I am presented in this very book. The purpose was to gather the most whacky ones. To be honest I just wanted to have fun with the stories and feel alive again. I think everyone can need a bit of wackiness in their life.

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What are you working on next?

I am designing something exciting, enabling my readers to engage even more deeply with the material. I am working on 12  character driven short stories. Needless to say, that most of them are on the whacky side, staying true to the current chosen path of absurdity.  The great thing is, that people will be able to subscribe, getting one story a month directly into their inbox. Each story will come with one of my whacky illustrations. On top of that I will give some jump off pointers, which can be used as inspiration to create one’s own story. This is going to be great. I also would love to bring out a memoire and essay based story book, including accounts like the one about Portugal.

Where can I get your current  book ‘Inappropriate Colours, 12 story-delights for the whacky mind?’

You can get my book on   Amazon,  SmashwordsKoboBarnes & Noble and Apple iBooks and other retailers.

Read my complete interview directly on Smashwords:

https://www.smashwords.com/profile/view/AnjaKersten

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5 thoughts on “Behind the scenes of My E-Book Inappropriate Colours

    1. Yes, I was born there and we lived the first five years of my life in my grandparents house. I loved the place. After that we moved close to Nuremberg and finally directly into Nuremberg. I already said to Melanie, next time she wonders through Bamberg and if I’m there I’d give her a private tour. Anja’s Bamberg!

  1. Nice piece, Anja! I really enjoyed reading it. Very warm and engaging. It draws the reader in just enough to whet their appetite and wonder what is in your stories. Good luck and I hope all goes well with your books. You deserve recognition for your hard work and achievements. These are great stories you write, never give up on them.

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